Zero

It only takes a fall or two
or twenty-five and I; at once
alive
and sick (or dead) can see ahead
and hear the call
to zero

Addition is a mockery
when negative exists
the numbers twist; and fall
and all I have is less
and on
to zero

and I am tethered here
by gravity
a singularity
is nought; yet nought is all and
all within contained
infintity is here
and unrestrained; and so I lose
(again) and fall – surrender all –
and all I am
is zero

and pause…

and all explodes with light and joy
a universe of grace expands
and someone takes my hand
and laughs

zero is a place of rest
when weakness = strength
and gravity is grace; and so we leave the race
and once again we fall
and all
is zero

-jka

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Wisdom & Repetition

I was going to stand and declaim
(or sit and write)
about the irony of life
the cycle & the fall & the
general lack of learning
and make it all sound
noble, perhaps
but no
for this I saw
that I am small
and so I look to him
and we begin
again

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barbeque summer 1999

Dave’s with the flirt
And his Ben Sherman shirt
Tells her all she need know
‘Cause his heart doesn’t show

And Jane looks the same
As her friends who all came
In skimpy little skirts
Which don’t show their hurts

And Mikey knows he’s hard
So he heads into the yard
To hear the lads talk cars
But he doesn’t see their scars

The barbeque is dying
Like my friends, but I’m crying
I just want to show my face
I just want to show my face

-jka

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metre is good

by way of introduction barbeque summer 1999 is the first thing I ever tried to write with a set metre and rhyme structure.

it was an attempt; a pop, if you like, at seeing if I could do it.

I quite liked it; but – whilst we’re on the subject – not as much, for example, as symbolism (below), which is one of the favourite things I have yet written.

ho hum.

Andy

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Vacuum

Where do we go from here?

Interesting thoughts, so difficult to express
Mining for clarity, continually..

Hacking and scraping , moaning….

Good ideas but no voice .. need to find a voice is the soundless cry

who wants to hang emotion on a structure
anyway
that’s far away and I don’t know, I don’t, I don’t.

but somewhere I trust ( a concept still welcome) is the perfect prism
to refract my stuttering thoughts into
a glorious tyranny of colour
an orgiastic profusion of meaning
soundless, profound.

-jka

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symbolism

eternity spun in silver gold
it sings to me of things
i know
of joy beyond compare

interwoven it becomes
a link
and we are joined
a secret history of promises
kept;
lives laid down for love
and small hands held tight

…my promise within
we choose to sing
and joy beyond compare

-jka

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Nobody Does It Better

If we’re talking about writing, perhaps I should mention the writers that I really love. Now, wiser people than I at this point would bring out a list of novelists – my wife, for example, has probably read most of the novels ever written – or at the very least has exhausted just about everything of interest in the local library. And Waterstones. The problem is, I struggle with novels. Which is an issue, as (of course) I’m trying to write one. Isn’t everyone? But a novel is a complex beast, one in which the writing itself often needs to play second fiddle to tricky things like pacing, plotting and characterisation. So at the moment I’m talking about those whose style I love – if it is a style, which always sounds rather self-conscious to me. Some writers just seem to create beauty without really trying – some writers just seem to embody flair; skill; love for their craft, and some writers can make me laugh with just a word or two.

So give it up for Katherine Mansfield, Eric Thompson, and, at the top of the tree, A A Milne.

I remember the first time I read a Katherine Mansfield short story at university – it was Bliss, if I recall – I just thought “this is it – she gets it – this girl knows how to write”. What I meant by that was, well, ‘this is who I want to write like.’ The first few paragraphs of Bliss are utterly, utterly brilliant – outrageously effortless and ostentatiously easy.

Eric Thompson could do the same thing – craft a fragment of a sentence which would just make me laugh out loud, and thus I fell in love with his writing. So few words, so much joy. “Dougal was in bed, thinking about not being in bed.” I honestly thought, on reading this (and yes I know how stupid and pretentious this makes me sound) ‘Everyone else go home – Eric Thompson wins. Hands down.’

But then came The Sunny Side. Obviously I knew A A Milne was a genius from Pooh, and of course from his poetry. But I was never that bothered until Gillian and I encountered this extravagantly wonderful collections of short stories, poems, and general musings from Mr Milne. So right now it’s Milne that wins (hands down), and if you haven’t read The Sunny Side, you really have missed out – go read it! But on the other hand, maybe you shouldn’t. Gillian and I love it so much that I honestly feel that I don’t want others to know it too – as it’s just ours, somehow, at present – but that’s clearly stupid. Actually you’d probably just read it and find it light and inconsequential, or something, and think that I’m a little over-egging the pudding. But seeing as that’s how I like my pudding, let me just say that I think The Problem of Life from this little book is possibly the greatest, most tragic, most funny, most stupidly brilliant thing I have ever read. And it’s probably only just my favourite one – The Enchanted Castle is just Gillian and me, Oranges and Lemons is utterly wonderful (and makes me want to be friends with everyone in it – even Simpson) and Common and The Way Down… and… and Blackman’s Warbler! Sorry, I’m babbling, but who cares?

That is what I want to write like. I would love to be able to do novels, to plot, to pace, to characterise, but I simply love to form words into sentences; to capture a moment  – to frame an emotion, a thought. These are the ones I have found that do it best. Oh, and another thing – they all write with Joy, and they write about Joy. So much is written about misery; I guess I’m just a sucker for happy stuff.

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relax… calling can be fun

Hey – relax! It will be alright. There’s a lot of stress out there, you know. But today I want to encourage you to relax. And my theme for today, If you like, is calling. If you hang around church, as I have been known to do, you’ll probably find a lot of people getting fairly stressed about what their calling is. Now, firstly, as a wise man pointed out to me recently, say “calling” to a lot of churchy people and they hear the word “career”. This has certainly been me in the past. But hey – relax. It’s more fun than that.

Sometimes it feels like you’re tightrope-walking in the darkness, with a blindfold on that only lets you see just in front of your feet. What’s more, the rope may snake off in a different direction, and you’d never know. You take a tentative step, desperate to have some sort of certainty about where it is you’re supposed to go. The only clear thing is that if you take the wrong direction, you’ll be in trouble.

But that’s not what the God I know is like. We have been given choice, freedom, and, usually, various likes and dislikes and a keen sense of what we find fun. So it’s more like there’s this huge park; or playground, if you like. Me, I prefer a landscape. Mountains, hills to climb, rivers to swim in, trees to build a den in.

It’s not a narrow path. It’s a world to explore. Your calling is to live; to love; to be yourself. So where do you want to go? Go have fun. Me? I’m off to ride my bike…

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growing up or growing old?

It is a truth universally acknowledged (sorry Jane, but it’s too good a line to ignore) that a lot of people don’t grow up – they just grow old. Speaking as a man who is busily growing old (just a little bit faster than I expected) I want to ensure, if I can, that I remember to grow up as well.

The thing about this is – it’s tricky. And it’s one of those things that is best quantified by someone else. I can stand proudly in my bedroom, looking at myself in the mirror and declaim “I am mature and responsible” but it doesn’t matter much if my wife wonders in and laughs. For one, I might have no clothes on, and she might consider that such naked self-aggrandisement* isn’t exactly the paradigm of maturity. She also might think I’m a prat.

So whether I have grown up, or just grown old(er), isn’t something I can really decide. But I don’t want to screw it up. You see, one of the great things about having a toddler in the house (apart from the freedom with which you can watch Abney and Teal) is that you have walking round a constant, dribbly insight into the baser human instincts. The boy don’t hide it. He’s loud and proud, and he is, like all of us perhaps, absolutely able to be calm and reasonable – just as long as all of his whims are instantly gratified. All of them mind – if he wants to eat something unidentifiable he’s just pulled out of the lounge bin woe betide whoever tries to stop him. Prepare for the scream of toddler anguish.

But it’s not exactly radical to point out that the scream of toddler anguish still resides in all of us. Or at least it does in me. And, to be honest, I reckon it does in the majority of humans I have had the privilege of observing over the years. What we find, of course, is that the conventions of adult life mean that we can’t get away with letting it out.

If I throw a wobbler every time my boss asks me to do something that I don’t particularly fancy, I’ll soon find myself in need of employment. If I scream the house down because I didn’t get my way with the TV remote I may soon find myself in need of, well, either a lawyer, a doctor, or at least a marriage counsellor. But the desire remains within – and this is the thing – sometimes we let out the scream in subtle ways. You know what I mean – it’s that look, the shake of the head, the sigh, the general passive-aggressive waltz of the frustrated man-child.

…and it’s the same with toys. I remember watching a work colleague desperately phoning companies to beg for more debt so she could buy a second-hand boy racer car she had happened to see. She wanted it; she had to have it. Why? Because she wanted it, of course. Now, I’m not like that, of course. No, I’ll find a reason to convince myself that I actually need a six thousand pound carbon racing bike, with electronic gearing (Di2, don’t you know…) and ultralight wheels and, well, all the bells and whistles**. Or I’ll decide that I deserve it, which is even more ethically creative. But the cry of anguish – the genuine feeling of loss – that comes with not getting it – well; some of us spend our entire lives (and fortunes) trying to ensure we never have to experience that feeling again. We didn’t like it when we were two, and not much has changed since.

So what is growing up? Well, everything that I have seen and value these days (at least in my better moments) has something to do with selflessness. Someone once said that it is better to give than to receive, and I think sometimes I know what they meant. I am starting to realise that, in most things, I am the problem. Every time someone manages to ignore the scream of toddler anguish, and embrace that familiar feeling of loss, and put someone else first – well, not to be too dramatic, but the world might just get a little better. If I can remember to do this – to lose my fascination, my focus, my obsession – with myself… well, maybe I will be growing up.

Andy.

* You gotta like that pun!
** although it wouldn’t actually have a bell or a whistle

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…getting bluer

…getting bluer

standing still alone
some empty place singing low surrounds
the cords to then still linger, lightly,
snagging on my jumper as I turn to see

fractured pretty silly pictures
drawings and dreamings and such
chronologically dim things that sparkle and fly;

getting bluer as the coldness of this room grips and bites
this waiting room
of stale ends
and fag ends
and half price life

and I’m not so sure I like
this place, this person
that I seem to be

But this dream, this falling
fast whisper of forgotten fragments

can dance and spin and sing
as it is split
and ruptured now
by love
by life;

one word is all it takes; and I awake
and I remember.

-jka 2005-06

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